Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ:  Âåëèêîáðèòàíèè íåêîòîðûå êðèòèêè ïðîâîçãëàñèëè ðîìàí "ëó÷øåé êíèãîé çà 25 ëåò îò îäíîãî èç âåëèêèõ àíãëèéñêèõ ïèñàòåëåé". Êíèãà, êîòîðàÿ ðàññêàçûâàåòñÿ ñ òî÷åê çðåíèÿ òðåõ íà÷àëüíèêîâ êîíöëàãåðÿ è èçîáèëóåò íåìåöêîé ëåêñèêîé, áûëà îòâåðãíóòà âñåìè íåìåöêèìè èçäàòåëüñòâàìè. Íîâûé ðîìàí êëàññèêà ñîâðåìåííîé ëèòåðàòóðû Ìàðòèíà Ýìèñà "Çîíà èíòåðåñîâ" — ýòî ãëóáîêî îðèãèíàëüíîå, îò÷àñòè ïðîâîêàòèâíîå âûñêàçûâàíèå, âíîâü — è ñîâñåì ïî-íîâîìó — ôèêñèðóþùåå âíèìàíèå ÷èòàòåëÿ íà òåìå Õîëîêîñòà è Âòîðîé ìèðîâîé âîéíû.

Àííîòàöèÿ: Íîâàÿ, âîññòàíîâëåííàÿ ïî ïåðâîèñòî÷íèêó, ðåäàêöèÿ çíàìåíèòîé êíèãè î ïóòåøåñòâèè ïî ÑØÀ âûäàþùèõñÿ ñàòèðèêîâ Èëüè Èëüôà è Åâãåíèÿ Ïåòðîâà ïðåäñòàåò â ñîâåðøåííî íåîæèäàííîì ñååòå â ñîåäèíåíèè ñ íåèçâåñòíûìè ïðåæäå ìàòåðèàëàìè èç ëè÷íîãî àðõèâà Àëåêñàíäðû Èëüèíè÷íû Èëüô. Âïåðâûå ïóáëèêóþòñÿ ïèñüìà, êîòîðûå Èëüô ïîñûëàë æåíå è äî÷åðè ïî õîäó ïóòåøåñòâèÿ, è ôîòîãðàôèè, ñäåëàííûå èì â ÑØÀ. Âìåñòå ñ ïèñüìàìè Ïåòðîâà îíè ïðåäñòàâëÿþò ñîáîé ñâîåîáðàçíûé äíåâíèê ïóòåøåñòâèÿ è åñòåñòâåííûì îáðàçîì äîïîëíÿþò ÎÄÍÎÝÒÀÆÍÓÞ ÀÌÅÐÈÊÓ. Èçäàíèå ïðîäîëæàåò ñåðèþ êíèã, ïîñâÿùåííûõ òâîð÷åñòâó Èëüè Èëüôà è Åâãåíèÿ Ïåòðîâà, ïîäãîòîâëåííûõ è îòêîììåíòèðîâàííûõ Àëåêñàíäðîé Èëüô.

Àííîòàöèÿ: "Áåðåìåííàÿ âäîâà" - òàê íàçâàë ñâîé íîâûé ðîìàí áðèòàíñêèé ïèñàòåëü Ìàðòèí Ýìèñ. Îáðàç îí ïîçàèìñòâîâàë ó Ãåðöåíà, ñêàçàâøåãî, ÷òî "—îòõîäÿùèé ìèð îñòàâëÿåò íå íàñëåäíèêà, à áåðåìåííóþ âäîâó". Íî åñëè Ãåðöåí èìåë â âèäó ñîöèàëüíóþ ðåâîëþöèþ, òî Ýìèñ - ðåâîëþöèþ ñåêñóàëüíóþ, êîòîðàÿ îñòàâèëà ãëóáî÷àéøèé ñëåä â åãî ñîáñòâåííîé ñóäüáå è êîòîðîé îí òåïåðü ïðåäúÿâëÿåò âåñüìà ñóðîâûé ñ÷åò. Òàê, â êàíâó ïîâåñòâîâàíèÿ âïëåòàåòñÿ è òðàãè÷åñêàÿ èñòîðèÿ åãî ñåñòðû (â êíèãå îíà íîñèò èìÿ Âàéîëåò), ñòàâøåé îäíîé èç ìíîãî÷èñëåííûõ æåðòâ áóðíûõ 60 - 70-õ. Ãëàâíûé ãåðîé êíèãè ñòóäåíò Êèò Íèðèíã - ïðîåêöèÿ Ýìèñà â ðîìàíå - ïðîâîäèò êàíèêóëû â êîìïàíèè þíûõ äðóçåé è ïîäðóã â èòàëüÿíñêîì çàìêå, à ÷åòûðå äåñÿòèëåòèÿ ñïóñòÿ îí âñïîìèíàåò ñîáûòèÿ òîãî ëåòà 70-ãî, ðàçìûøëÿåò î ïîëó÷åííîé òîãäà è èñêàëå÷èâøåé åãî íà ìíîãèå ãîäû ñåêñóàëüíîé òðàâìå è òîëüêî òåïåðü íà÷èíàåò ïî-íàñòîÿùåìó ïîíèìàòü, ÷òî æå ïðîèçîøëî â çàìêå.

Àííîòàöèÿ: The short story has become one of the major forms of modern literary expression - in some ways the most modern of them all'. The story of the British short story since the Second World War is one of change and revolution and this powerful and moving collection brilliantly demonstrates the evolution of the form. Containing thirty-four of the most widely regarded postwar British writers, it features tales of love and crime, comedy and the supernatural, the traditional as well as the experimental. This many-storied, many-splendored collection is a brilliant portrait of the generation of writers who have immediately influenced the brightest, sharpest and most intriguing writers who continue to emerge today

Àííîòàöèÿ: Betrayed by jealous relatives, Tom is exiled from home and must undergo a variety of trials and adventures in his quest to be reunited with his one true love. In The Rachel Papers, Charles Highway, a precociously intelligent and highly sexed teenager, is determined to sleep with an older woman before he turns twenty.