Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: "Πäèâíûé íîâûé ìèð" - èçûñêàííàÿ è îñòðîóìíàÿ àíòèóòîïèÿ î ãåíåòè÷åñêè ïðîãðàììèðóåìîì îáùåñòâå ïîòðåáëåíèÿ, â êîòîðîì ðàçâîðà÷èâàåòñÿ òðàãè÷åñêàÿ èñòîðèÿ Äèêàðÿ - "Ãàìëåòà" ýòîãî ìèðà...

Àííîòàöèÿ: «Êîíòðàïóíêò» — êðóïíåéøåå ïðîèçâåäåíèå Îëäîñà Õàêñëè, îïèñûâàþùåå íåñêîëüêî ìåñÿöåâ èç æèçíè èíòåëëåêòóàëüíîé ëîíäîíñêîé ýëèòû. Çäåñü íåò ãëàâíûõ äåéñòâóþùèõ ëèö èëè îñíîâíîé ñþæåòíîé ëèíèè. Êàê è ìóçûêàëüíûé êîíòðàïóíêò, ïðåäïîëàãàþùèé ñî÷åòàíèå äâóõ è áîëåå ìåëîäè÷åñêèõ ãîëîñîâ, ðîìàí Õàêñëè — ýòî ïåðåïëåòåíèå ðàçíûõ ñóäåá, ðàññêàç î æèçíè ìíîãèõ ëþäåé, òàê èëè èíà÷å ïîïàäàþùèõ â ïîëå ïèñàòåëüñêîãî çðåíèÿ. Îíè âñòðå÷àþòñÿ â êàôå è ðåñòîðàíàõ, õîäÿò íà âåëèêîñâåòñêèå ïðèåìû, ññîðÿòñÿ, ñïëåòíè÷àþò, çëîñëîâÿò. Âî âñåì ýòîì íåò íèêàêîé öåëè — îäíà áåññìûñëåííàÿ ìíîãîãîëîñèöà. Òàê Õàêñëè ñìîòðèò íà ñâîèõ ñîâðåìåííèêîâ, à íûíåøíèé ÷èòàòåëü íàâåðíÿêà óñëûøèò â ýòîì õîðå ìíîãî çíàêîìûõ ãîëîñîâ. «Ãåíèé è áîãèíÿ» Ëþáîâíûé òðåóãîëüíèê— Êàæåòñÿ, äîâîëüíî áàíàëüíàÿ èñòîðèÿ. Ñþæåò ðîìàíà äåéñòâèòåëüíî ïðîñò: ó çíàìåíèòîãî ó÷åíîãî åñòü áîæåñòâåííîé êðàñîòû æåíà. È ìîëîäîé òàëàíòëèâûé ó÷åíèê. Êîíå÷íî æå, ìåæäó ó÷åíèêîì è «áîãèíåé» âñïûõèâàåò ñòðàñòü. Íè ê ÷åìó õîðîøåìó ýòî ïðèâåñòè íå ìîæåò. ×åãî æå åùå æäàòü îò ëþáîâíîãî òðåóãîëüíèêà? Íî Îëäîñ Õàêñëè ñóìåë íàïîëíèòü ýòó èñòîðèþ ãëóáèíîé, çàòðîíóòü âàæíåéøèå âîïðîñû î ðîêå è ëè÷íîì âûáîðå, î êîíôëèêòå ìåæäó ÷óâñòâîì è äîëãîì, î ÷åñòè è ëþáâè

Àííîòàöèÿ: "Πäèâíûé íîâûé ìèð" (1932) - êóëüòîâàÿ àíòèóòîïèÿ Îëäîñà Õàêñëè, èçäàííàÿ ìèëëèîííûìè òèðàæàìè ïî âñåìó ìèðó. Ðîìàí î ãåíåòè÷åñêè ïðîãðàììèðóåìîì "îáùåñòâå ïîòðåáëåíèÿ", îáùåñòâå "âñåîáùåãî ñ÷àñòüÿ", â êîòîðîì ðàçâîðà÷èâàåòñÿ òðàãè÷åñêàÿ èñòîðèÿ ÷åëîâåêà, ñòàâøåãî ÷óæàêîì â ýòîì ìèðå... "Ñëåïåö â Ãàçå" (1936) - ðîìàí, êîòîðûé ìíîãèå êðèòèêè íàçûâàëè è íàçûâàþò "ãëàâíîé êíèãîé Îëäîñà Õàêñëè". Õîëîäíî, òàëàíòëèâî è áåçæàëîñòíî èçëîæåííàÿ èñòîðèÿ èíòåëëåêòóàëà â Àíãëèè 30-õ ãîäîâ ïðîøëîãî âåêà - òðàãåäèÿ íåïîíèìàíèÿ, íåëþáâè, íåîñîçíàííîñòè äóøåâíûõ ïîðûâîâ è äóõîâíûõ ïðîçðåíèé.

Àííîòàöèÿ: "Πäèâíûé íîâûé ìèð" - èçûñêàííàÿ è îñòðîóìíàÿ àíòèóòîïèÿ î ãåíåòè÷åñêè ïðîãðàììèðóåìîì îáùåñòâå ïîòðåáëåíèÿ, â êîòîðîì ðàçâîðà÷èâàåòñÿ òðàãè÷åñêàÿ èñòîðèÿ Äèêàðÿ - "Ãàìëåòà" ýòîãî ìèðà...

Àííîòàöèÿ: "Πäèâíûé íîâûé ìèð" - èçûñêàííàÿ è îñòðîóìíàÿ àíòèóòîïèÿ î ãåíåòè÷åñêè ïðîãðàììèðóåìîì îáùåñòâå ïîòðåáëåíèÿ, â êîòîðîì ðàçâîðà÷èâàåòñÿ òðàãè÷åñêàÿ èñòîðèÿ Äèêàðÿ - "Ãàìëåòà" ýòîãî ìèðà...

Àííîòàöèÿ: Ïðèçíàííûé ìàñòåð áðèòàíñêîé ïðîçû Îëäîñ Õàêñëè (1894-1963), ëè÷íîñòü íåçàóðÿäíàÿ è ìíîãîãðàííàÿ, â ÷èñëå ïðî÷èõ ëèòåðàòóðíûõ ïðîèçâåäåíèé ñîçäàë ìíîæåñòâî ïðåêðàñíûõ ðàññêàçîâ.  ýòîé êíèãå ïðåäñòàâëåíû íåêîòîðûå èç íèõ, íåçàñëóæåííî çàáûòûå â ïîñëåäíèå ãîäû

Àííîòàöèÿ: Brave New World is a dystopian novel written in 1931 by English author Aldous Huxley, and published in 1932. Largely set in a futuristic World State of genetically modified citizens and an intelligence-based social hierarchy, the novel anticipates huge scientific developments in reproductive technology, sleep-learning, psychological manipulation, and classical conditioning that are combined to make a utopian society that goes challenged only by a single outsider.

Àííîòàöèÿ: The astonishing novel Brave New World, originally published in 1932, presents Aldous Huxley's vision of the future -- of a world utterly transformed. Through the most efficient scientific and psychological engineering, people are genetically designed to be passive and therefore consistently useful to the ruling class. This powerful work of speculative fiction sheds a blazing critical light on the present and is considered to be Huxley's most enduring masterpiece

Àííîòàöèÿ:  ñáîðíèê âîøëè ðàññêàçû èçâåñòíûõ àíãëèéñêèõ ïèñàòåëåé, ìàñòåðîâ æàíðà êîðîòêîãî ðàññêàçà: Ä. Ëîóðåíñà, Ê. Ìýíñôèëä, Ä. Äæîéñà, Ó. Ñîìåðñåòà Ìîýìà, Î. Õàêñëè, È. Âî, Ä. Óýéíà, Ñ. ×àïëèíà. Ïðèâîäÿòñÿ ñâåäåíèÿ î æèçíè è òâîð÷åñòâå àâòîðîâ, çàäàíèÿ äëÿ êîíòðîëÿ è ïîíèìàíèÿ ïðî÷èòàííîãî è äëÿ îáñóæäåíèÿ â àóäèòîðèè. Äëÿ èçó÷àþùèõ àíãëèéñêèé ÿçûê â èíñòèòóòàõ è íà ôàêóëüòåòàõ èíîñòðàííûõ ÿçûêîâ è äëÿ âñåõ íà÷èíàþùèõ ÷èòàòü àíãëèéñêóþ ïðîçó â ïîäëèííèêå.

Àííîòàöèÿ:  ñîñòàâ ñáîðíèêà âêëþ÷åíû ëó÷øèå îáðàçöû íîâåëëèñòè÷åñêîãî íàñëåäèÿ êëàññèêîâ àíãëèéñêîé ëèòåðàòóðû 20 âåêà. Èçäàíèå ñîïðîâîæäàåòñÿ âñòóïèòåëüíûìè ñòàòüÿìè îá àâòîðàõ è êîììåíòàðèÿìè ê òåêñòó.

Àííîòàöèÿ: Õðåñòîìàòèÿ ïðåäñòàâëÿåò ñîáîé ïîñîáèå ïî êóðñó àíãëèéñêîé ëèòåðàòóðû XX âåêà äëÿ ñòóäåíòîâ ôàêóëüòåòîâ èíîñòðàííûõ ÿçûêîâ ïåäàãîãè÷åñêèõ èíñòèòóòîâ.  íåå âõîäÿò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ ïèñàòåëåé è ïîýòîâ. Îòêðûâàåò êíèãó êðàòêèé î÷åðê, õàðàêòåðèçóþùèé àíãëèéñêóþ ëèòåðàòóðó ÕÕ âåêà, åå îñíîâíûå íàïðàâëåíèÿ è òåíäåíöèè. Êàæäîìó ïðåäñòàâëåííîìó â õðåñòîìàòèè àâòîðó ïðåäøåñòâóåò êðàòêàÿ áèîãðàôè÷åñêàÿ ñïðàâêà. Êíèãà çàâåðøàåòñÿ ïîäðîáíûìè ïðèìå÷àíèÿìè, äàþùèìè íåîáõîäèìûå ëèíãâèñòè÷åñêèå, ëèòåðàòóðíûå è èñòîðè÷åñêèå ïîÿñíåíèÿ.

Àííîòàöèÿ: This collection now contains 175 poems by 86 poets and ranges chronologically from W.B.Yeats to Geoffrey Hill.The character of the anthology can be simply indicated.It is a representative collection of English verse written between 1918 and 1960.The present collection, which was first published under the title THE PENGUIN BOOK OF CONTEMPORARY VERSE in 1950 and has been frequently reprinted, has been widely acclaimed and remains one of the best known and most constantly used anthologies of modern poetry to have appeared

Àííîòàöèÿ: Written at the height of his powers immediately after Brave New World, Aldous Huxley's highly acclaimed Eyeless in Gaza is his most personal novel. Huxley's bold, nontraditional narrative tells the loosely autobiographical story of Anthony Beavis, a cynical libertine Oxford graduate who comes of age in the vacuum left by World War I. Unfulfilled by his life, loves, and adventures, Anthony is persuaded by a charismatic friend to become a Marxist and take up arms with Mexican revolutionaries. But when their disastrous embrace of violence nearly kills them, Anthony is left shattered—and is forced to find an alternative to the moral disillusionment of the modern world.

Àííîòàöèÿ: The present collection, which was first published in 1950 and has been reprinted seventeen times, has been widely acclaimed and remains one of the best known and most constantly used anthologies of modern poetry to have appeared.

Àííîòàöèÿ: "One of the most notable and attractive forms of English Literature is the essay. In his introduction to this selection, first made for Pelican in 1942 and now enlarged and reprinted, Sir William Emrys Williams points out that the Essay, —has a multitude of forms and manners, and scarcely any rules and regulations.— Although many of the pieces chosen for this volume are such well-known ones as Charles Lamb—s —In Praise of Chimney Sweepers— or De Quincy—s memorable commentary on an episode in —Macbeth—, an endeavour has been made to remind readers that Addison, for example, wrote other and better essays than the few which are usually included in anthologies. Modern writers such as Hilaire Belloc, JB Priestly, Aldous Huxley, Robert Lynd, Ivor Brown, Harold Nicholson. EV Lucas, and VS Pritchett are given a fair share of representation."

Àííîòàöèÿ: Huxley's utopia and final novel, set in the fictional Buddhist Island of Pala. Pala offers psychedelicdrugs ("moksha medicine") and tantric sex; but otherwise isn't much fun.

Àííîòàöèÿ: 1923. Antic Hay is one of Aldous Huxley s earlier novels, and like them is primarily a novel of ideas involving conversations that disclose viewpoints rather than establish characters; its polemical theme unfolds against the backdrop of London s post-war nihilistic Bohemia. This is Huxley at his biting, brilliant best, a novel, loud with derisive laughter, which satirically scoffs at all conventional morality and at stuffy people everywhere, a novel that s always charged with excitement.

Àííîòàöèÿ: Huxley s vision of the future in his astonishing 1931 novel Brave New World -- a world of tomorrow in which capitalist civilization has been reconstituted through the most efficient scientific and psychological engineering, where the people are genetically designed to be passive, consistently useful to the ruling class.